Fiction

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“a mixed-qualities novel that will appeal to a mixed audience.”

Ever heard of “forensic linguistics”?

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Reading The Singer Sisters, what comes immediately to mind is not the soap-opera-like drama of Fleetwood Mac circa 1977’s Rumours, but the thinly veiled miniseries made of those s

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“challenging, but endlessly fascinating, as the reader follows Mamush’s geographical, mental, and spiritual journey. . . . a poignant and beautiful book.”

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“‘And the wall became a scream of birth, this birth for it was the birth of the Universe . . .’”

“an important book by an important author who understands only too well that heavy topics are most accessible when delivered with a spoonful of sugar.”

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“a sad story efficiently ­told by the author but one that may have been better had it been more vividly shown.”

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“the down-and-out world of Raymond Carver and Andre Dubus III, with song lyrics added.”

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People who read series recognize four patterns: series that get stronger with each volume, series that get weaker, those that spike up and down, and those that hum along unchanged.

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“explodes with brilliant language. . . . a lovely, richly written first novel.”

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Isabel Dalhousie is a rarity in modern fiction in that she’s a philosopher. Not just a philosophically minded character, as is found across genres, but an actual working philosopher.

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Twelve years after the suicide of 16-year-old Alice, her family gathers for the wedding of her brother Benji and her best friend Morgan.

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“‘You’ll never own any White Orchard designs, you murderer!’ Her voice cut through the room and there was dead silence. Everyone was staring at them.

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“feels completely contemporary in terms of language, characters, descriptions. It just happens to take place in the 11th century.”

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Monica Arnaldo is the Canadian creator of numerous children’s picture books, including Mr. S (2023), which was a finalist for the Governor General's Award for Literature,

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the tangled web of mysteries keeps the reader guessing. At the end, the author uses strands from the web to set the stage for the next novel in the series.”

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“an exciting, disturbing portrait of Hollywood’s cultural power during its heyday.” 

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“This could have been yet another Arthurian tale told ad nauseum over the decades, but here Lev Grossman stakes out a different kind of story that’s all his own.”

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“entertaining and fast-paced. . . . Readers who like plot-driven stories with heroic characters, dragons, and happy endings will find much to enjoy.”

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More spy story than mystery, Maggie Hope's last mission has as many twists and turns as a rollercoaster.

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Long Island Compromise begins with the brazen kidnapping of Jewish businessman Carl Fletcher, taken by thugs from the driveway of his upper middle-class mansion in the mundane and fictiona

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Kevin Barry is an Irish writer to the core with his wild, dark humor and his Gaelic intonations, a beautifully skewed syntax holding up a delicate balance of spluttering facetiousness and a sly ack

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It’s hard to publish a sequel to a powerful or popular novel, and even more so in a case like this, where author Joyce Maynard has said that she never intended to return to the complicated family s

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"The Family Experiment is first-rate and highly readable, science fiction with a heart and soul."

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The reader is encouraged to participate, become one with the natural space as well as an observer of it, and see what variety and grandiosity nature has . .

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“Everyone has three lives: a public life, a private life, and a secret life.” Gabriel Garcia Marquez is quoted as saying on the frontispiece of The Lost Letters from Martha’s Vineyard.

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