“singular Paul Lynch, the prophet raging at the wickedness and sorrow in the world, warning us that the road to redemption travels through compassion and love, but it surely is not an easy
“The stakes get higher with the possibility of bringing back the pollinators and, literally, saving the world, and the story hurtles along in its final chapters.”
“After the first ‘future shock’” this chatty two-points-of-view crime investigation could easily be a Sherlock Holmes or Hercule Poirot detective novel.”
C. J. Carey’s novel, Widowland, couldn’t be more chilling—or dystopian—given the frightening political landscape confronting women in America and elsewhere.
“a John Gilstrap thriller, crammed with violence and testing of the soul, might be the perfect work of fiction to sink into in a tough time for the real world.”
The characters in Alison Stine's new novel, her second, have names like Trillium, Rattlesnake Master, Shanghai, Miami, and Coral, a young woman who was abandoned by her mother and who has lost her
Dave Eggers’ 2013 dystopian satire, The Circle, imagined a Google-cum-Facebook corporation, the Circle, bullying a tech-dazzled world into embracing its own servitude.
“The time of someone’s death doesn’t exist until Sapere Aude calculates it, forcing the waveform to collapse. ‘You do the math, and it makes the math come true.’”
Pounce is an orange-and-black-striped tiger robot, “designed, to put it bluntly, to be huggable.” He was sold to the Reinhart family as a nanny for their eight-year-old boy, Ezra.
“an incredibly strong debut that hits a number of sweet spots—feminist literature, dystopian/speculative fiction, and young adult literature. It’s well worth your time.”
At the start of Alison Stine’s first novel, Road Out of Winter, the protagonist, a young woman named Wylodine (known as Wil) leaves her rural home in Ohio and sets out for California.
“Accept that you might have conventional horizons. Stop asking for life to be a poem. Why is it so difficult to speak plainly without allusions to books, films, and art?”
What’s new and especially refreshing about Diane Cook’s new novel, The New Wilderness, are the finely drawn women characters, especially Bea and Agnes, refugees from “The City,” who are ca
Post-apocalyptic novels featuring orphaned teenage girl protagonists proliferate. They fill their own shelves in bookstores, and their adaptations feed film studios and crowd streaming services.
