You know those stories that go bump in the night? This, most definitely, is one of those. Marcus Kliewer’s first novel is an old-fashioned ghost story about a haunted house.
Reading The Singer Sisters, what comes immediately to mind is not the soap-opera-like drama of Fleetwood Mac circa 1977’s Rumours, but the thinly veiled miniseries made of those s
The premise for Pearson’s story, Bright and Tender Dark, is a classic whodunit. Karlie Richards is a college student in North Carolina, and she is murdered.
Brat, the debut novel of Gabriel Smith, has been alternately described as “thrillingly claustrophobic” (Ed Park, author of Same Bed Different Dreams) and “jauntily creepy” (Gabrie
“an enchanting, tenacious story of loss and resilience, and a vivid reminder of the fragility of our lives and environment and all the ways they are connected.”
“And I didn’t ask any questions,” the narrator of Nicola Solvinic’s debut mystery-thriller The Hunter’s Daughter, says in her first-person account of what it’s like having been raised by a
“Deep in characterization and entertaining in its narrative, this book makes a very philosophical point about how well we are aware of those we consider ourselves close to . .
After Sappho is labeled as a novel although most of the characters presented actually existed and the words and actions ascribed to them are translated, paraphrased, quoted with minor alte
“portrays a woman of great intellect, beauty, and ability to read others, whose desire for power forms not for her own glory but to challenge a system that threatens her son’s life.”
