“Fourteen Days: A Novel operates from an irresistible premise: trot out literary luminaries of our age, and mash them together in a rollicking collection of shared stories.”
“This book is a long read—skimming won’t cut it. But it’s long the way a walk through Brooklyn’s neighborhoods is long, and beautiful, and sometimes very clearly ‘other.’”
A collection of ten short stories set in Brooklyn, NY, Witness: Stories is populated by characters navigating relationships with friends and family, both living and not.
“while clever in conception and interesting with regard to plot, most of these collected tales of noir lack the compression and the meticulous attention to language that are the life and br
With her provocative, yet tasteful and gripping writing, in Such a Pretty Girl, T. Greenwood tackles the tragic impact on lives of sexual predation in the movie and modeling industries.
“A beautiful, compelling portrait of dance . . sure to become a book group favorite, rich in discussion topics that are as provocative as they are complex.”
Wry, sly, and nicely dry, Kate Atkinson’s 13th outing is stuffed with runaway waifs, toffs, female pickpockets, “merry maid” hostesses, bent coppers, murdered girls, a melancholy detective, an intr
Stephanie Gangi’s magnificent second novel, Carry the Dog, captures the paralysis of the daily world so well that it’s a genuine surprise to realize that it’s set before the pandemic.
Life is full of contradictions and paradoxes, and the course on which one sets out almost always leads to an unintended destination, lessons that are on full display in Joshua Henkin’s new novel
“In The Night Fire Michael Connelly delivers the goods once again, extending his legacy as quite simply the best author of police procedurals in the business.”
“A classic story of good versus evil, in which evil, though seemingly overcome, may simply lie dormant until it’s strong enough to strike from a different source.”
A beautifully written novel, translated from the Italian, with a heartwarming story against a backcloth of misery and degradation, about a priest and a gang of boys and one of the boy’s sister, 16-
“‘You have to forget the past so that you can live the future,’ a Syrian immigrant tells Jonas, revealing Lichtman’s key for Jonas to move forward through his pain.”