“Bagby’s immaculate research, coupled with her keen sense for real-life character development and dramatic arcs, makes for a fascinating and surprisingly quick read on a fo
Unshaved: Resistance and Revolution in Women’s Body Hair Politics deals with compliance with cultural norms of body hair removal—largely on the basis of data from American women— and the e
Miranda Seymour has produced a detailed and exhaustive account of the life of novelist Jean Rhys on the basis of her short stories, novels, and an unfinished autobiography, Smile Please, w
“Part memoir, part cultural critique, part manifesto, Hysterical is a tour de force, a powerful response and critique of the subjugation of girls and women across all aspects of ou
“Horowitz has pieced together a fascinating story of a woman who ‘lied all her life’ and died in 1954 at the age of 86 in a Hove nursing home, taking her secrets with her.”
Challenges to Darwin’s view of the sexes are no longer a minority sport, though like all challenges to received opinion they have difficulty being heard in the Establishment they wish to rock.
Daddy Issues: Love and Hate in the Time of Patriarchy is brief and refreshing for what it is NOT, a feminist treatise on paternalism and the female dynamic.
“Manifesting Justice will repay the very determined reader, and there are many shocking moments where the law is revealed to be, to an almost unbelievable extent, an ass.”
“[does] a superb job of transporting the reader back in time, evoking the era with telling details while staying true to the core of Nellie Bly’s story.”
This is a very engaging, lucidly written, and entertaining collection of autobiographical essays produced by debutante Myanmar writer, Moe Thet War, writing as is stated, as Pyae Moe Thet War.
Unless you were cryogenically frozen for the last few years you are probably aware of the meltdown of schools, childcare, and workplaces during the Covid-19 pandemic.
In her most recent collection of essays, Siri Hustvedt provides a feminist analysis of a range of materials drawn from her own family life (particularly the intimate relationships with her grandmot
“For Gervitz, Migrations is both a life’s work and a memory palace, a narrative pilgrimage through the lens of her own experience that is both alive and dead, both past and future.