Historical

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“an education, a history lesson, a whodunit, and a wonderful introduction to the world of art—and crime.”

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“brings together Hoover-style surveillance and Goldman-style anarchism with the force of inevitability [that] reflects both top-notch detective work and consummate crime writing.”

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“For the female of the species is more deadly than the male.”

—Rudyard Kipling, from the poem “The Female of the Species.”

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“A Murder in Hollywood shines a bright light into the dark crevices of Hollywood at a time when #MeToo wasn’t even something that was dreamed about, much less utte

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“The Bishop and the Butterfly reads like a cross between a whodunnit and a political expose. . . .

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“the author combines his background as both a historian and lawyer to present his guilty verdict on the Confederate government in the plot to assassinate Abraham Lincoln. . . .

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“in his precise writing and masterful contextualizing, Dorsey doesn’t offer an opinion. He lets the horror of our culture speak for itself.”

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“sprawling, shocking story of the whacko Gilded Age . . .”

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“Whether one is interested in cold case puzzles or genealogy, or just curious about solving crimes, The Forever Witness should be read and reread until it becomes a dog-eared part

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“And there you have the triumvirate of personalities that captivated America at the height of the Roaring Twenties: a match made in hell of two sociopaths, one a manipulator and one a ‘mall

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“Ultimately the great ‘aha’ moment seems more like a ‘hohum’ moment.

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Beverly Lowry is clear: Deer Creek Drive: A Reckoning of Memory and Murder in the Mississippi Delta is not a memoir.

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Casey Sherman has had enormous commercial success as an author.

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From the very start of Unmask Alice: LSD, Satanic Panic, and the Imposter Behind the World’s Most Notorious Diaries, Rick Emerson makes big promises.

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“It seemed as if Frank Davis’s violent and erratic tendencies were about to finally catch up to him. But since true crime involves real life, sometimes there is no Hollywood ending.

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The best history to learn about is that of unknown or otherwise obscure events, especially in this instance where a 19th century American frontier “serial killing” family is concerned.

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No book could have a more auspicious moment of publication than Simon Baatz’s The Girl on the Velvet Swing.

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Why is society so fearful of crime, but also fascinated by it? Why do the details of a gruesome murder, rape, or other heinous crime hold our attention?