After the release of his quirky 2014 movie The Grand Budapest Hotel, director/writer Wes Anderson confessed to The Daily Telegraph in London, “I stole from Stefan Zweig,” though n
“Sorry has all the ingredients to make it a compulsive read. It’s slick, chock full of twists and turns, and dripping with narrative thrust and intrigue. . . .
Suspensful, spectacular, and searing are not adjectives one would use to describe The Calligrapher’s Secret. Intriguing, intelligent, and multifaceted are far more accurate to convey what