“a marvelous volume that introduces the reader to the wide variety of American writing and literary thought of the last two centuries of our nation’s history.”
Though Tom Zoellner’s The National Road: Dispatches from a Changing America came out at the end of this unprecedented year, it is unlikely that even the author could have imagined the “cha
“Engaging and provocative, Diamond’s encyclopedic meditation will certainly help readers—no matter where they live—think about what lies ahead for the outlying areas of our cities.”
Alysia Li Ying Sawchyn taught students about “ethnicity, gender, sexuality, ability, class, age” but not mental illness. She is a person of color and a woman. This the students can see.
“I Don’t Want to Die Poor is an excellent critique of the way that our society encourages people to try for more, and then punishes them for doing so.”
“If Battle Dress is any indication of what’s to come next from Skolfield, readers should expect yet another masterfully rhythmic, morally gut-punching, timeless book of poetry.”
“Although there are times when Chong gets a bit wordy and perhaps repetitive, her overall take on book reviewers and their work is well organized and informative.
“Beautifully bound and artistically illustrated, this volume is one the writer of vampire tales or any other paranormal genre will wish to keep as a source for future refer
“Coventry marks a return to a more conventional style of writing, yet retains that same sense of an alert, engaged intelligence, negotiating the complexities of women’s lives and i
In Chuck Klosterman’s “Tell Don’t Show,” furious ad executives shriek out what might be the premise of Raised in Captivity as a whole: “the consumer will extract from the story we construc
