It is a rare occurrence that any designer or brand has two books published, both of which are singularly devoted to their oeuvre, let alone a Generation X designer whose name is hardly one that fal
The idea that there couldn’t possibly be another book focused on maison Christian Dior has been shattered in grand style with the release of Dior: The Collections.
We as readers and followers of fashion are accustomed to seeing a familiar roster of names associated with the great and vaunted publications of the ’60s, ’70s, and ’80s.
If you are in search of or require a “how to” manual or a book that speaks of the usual icons of men’s style, then please move on as those aspects of men and their individual style are not containe
Relationships, both personal and professional, provide every reader with a particular frame of reference as well as singular perspective that might set us apart from our fellow readers. Having read
“I never think of myself as an icon. What is in other people's minds is not in my mind. I just do my thing. . . . Elegance is the only beauty that never fades." —Audrey Hepburn
Castelbajac, the book, and Jean-Charles de Castelbajac, the designer, stand as reminders to those in fashion that this man was indeed a visionary in his prescient approach to fashion.
In the early ’80s, it was suggested to François Nars by Polly Mellen to move to the United States so that he could work with his idols Avedon, Penn, Weber—a who’s who of the fashion photography wor
After having read this amazing book, this reader suddenly became aware that there is a cult of denim aficionados, “denimheads” to be exact, as well as a culture of denim.
