Literary Fiction

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“despite everything, our sympathies remain clearly and profoundly with Blanca, regardless of her culminating acts.

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“Mr. Lerner can set aside the self-doubt: Leaving the Atocha Station proves he’s a droll and perceptive observer, and a first-rate novelist.”

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“Altogether, this is an admirable work of fiction, a compelling story told beautifully.”

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“This family is so real, so understandable, so in need of comfort each in their own way, that we want to embrace them in their grief, applaud their reconciliations, and learn from their lov

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“Ms. Kohler’s work should not be overlooked, as it holds open a vista of a whole new generation of filmmaking in, and about, South Africa.”

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“Faces in the Sand is a story of lost love, the terror of war, and one child who wishes to pull all of the pieces together. The ending is shocking and penetrating. . . .

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“House of Holes—without much question the most explicit novel ever released by a mainstream publisher—exists less to provoke than to throw down some kind of gauntlet, shatter any l

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“Hamilton presents readers with a precious gift: a collection of content not quite like anything we’ve heard or seen before.

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“. . . both a fast paced thriller and a history at the same time. Talk about more bang for your buck. . . . perhaps the author’s finest book ever.”

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“Sadly, the elements that would have made this a more compelling novel remain missing. That which we are hoping to understand, unfortunately, still remains unsaid.”

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“. . . head-spinning, rope-clutching, canvas gnashing . . . a hilarious contemporary farce, . . . genuinely hilarious. . . .

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“. . . a unique premise for a murder investigation. . . . compulsively readable. . . . the mystery of the mind has surely been solved.”

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“This is an elegant novel, well-paced with dramatic twists, disturbing surprises and richly drawn characters whose actions and motives have a tangible psychological depth.”

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“Pretty is ex-pretty girl Bebe Baker’s story. . . . Bebe’s in-your-face voice is one of the novel’s strengths. . . . At times Bebe is maddening, but in Ms.

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“. . . so powerful and gripping . . . The quality—the immediacy—of Josh Rolnick’s prose stuns. . . . eight brilliant works of short fiction.”

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“[a] well-crafted, beautifully written, and engaging mystery. . . . Carson Morton is, quite frankly, a masterful storyteller.”

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“. . . an important historical work of fiction.

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“Hell Ship is riveting, pulling you through the story with raw emotions that are both familiar and strange.

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“Pigeon English is a book that can be read by adults and should also probably be read by maturer children ages 10 and up—despite some of the adult themes involved.

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“I Knew You’d Be Lovely is an impressive offering, from a strong new voice, of stories about life’s desperation.”

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“Leanna Ellis skillfully writes quirky, paranormal teen fiction with a splash of romance, nicely gathering up all her plot threads by the concluding pages.

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The Gilded Shroud is a romance with a mystery, not to be confused with a mystery that has a romance. Every genre has rules that are followed.

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“Despite . . . shortcomings, The Leftovers will still please Mr.

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“Nemonymous Night is not an easy read; however—and here’s the rub—it’s entirely readable.”

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“Sherry & Narcotics doesn’t tarry, it doesn’t linger, and it doesn’t savor moments. It is pared down, lean and taut—but sometimes you just long for a little fat.”

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