Literary Fiction

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“Anne Enright’s razor-sharp writing turns every ordinary detail into a weapon, to create a story that cuts right to the bone.”

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“In The Grief of Others, a promising and potentially engaging story is overwhelmed by obtuse storytelling. . . . This read was something of an exhausting experience.”

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“. . . brilliant and gritty and urban . . . the most brutal coming of age story imaginable.”

The Kid is by far the most disturbing novel I have ever read.

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“The Sense of an Ending is something of a minor masterpiece.”

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“The Baker’s Wife brings together unlikely characters . . . each with her own agenda and differences, to suggest that all things are possible with faith.

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“Exquisite . . . Aamer Hussein’s messages in The Cloud Messenger will be read over and over again by readers for many years to come.”

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“Readers of There But For The have a similar choice to make.

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“Toward the end of the novel there is a gutsy shift in narrative tone that lends the ending a sense of closure.

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“Coriander, curry, Chinese brothels, drug dens, butchers’ remnants, and brewery smells, tropical heat and Caribbean costume makes this a multicultural city in the west of a dystopian Irelan

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“Besides the deftly rendered plot to uncover a conspiracy—which may remind a few readers of another sexually adventurous girl who kicks over a hornet’s nest even if she lacks a dragon tatto

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“Joan Connor loves words. . . . The cover of this book fails to suggest the riches within.”

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“Ali Smith’s There But For The is a thoroughly modern book that plays with form, structure, and language, never allowing the reader to settle for comfortable passive reading; ultim

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“. . . the truth it presents is compelling, and the characters—both place and people—are worth knowing.”

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“Whatever Willa Cather was, ‘brilliant writer’ would head the list for most admirers of the literary novel. . . .

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“In Last Man in Tower, it is immediately apparent that author Adiga’s writing has matured.

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“Sam Savage’s exhilarating, often lilting use of language and his faultless characterization of the eccentric, unraveling of his main character, Edna, is evocative, poetic, and compelling.”

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“. . . don’t be put off by the magic and sorcery. If you like noir and hard-boiled mysteries, you might want to give Low Town a chance.

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“Highly recommended for anyone who wants to look at life and the United States from a new viewpoint—and to savor the sounds, tastes, scents, and textures while at it.”

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“. . . a plot-driven novel conveyed in crisp, descriptive, and thought-provoking prose via an engagingly intelligent third-person narrator. . . . an auspicious debut.”

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“This is capital L Literature, bursting with intent and ideas, but written as good Literature should be: pitching at street level, without affectation or arch, high-blown language.

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“[Paul Chutkow’s] story of Zelda is a modern day Pygmalion tale, in which Liza Doolittle in My Fair Lady, who was ostensibly the beneficiary of Professor Henry Higgins’s motivation

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“You Deserve Nothing is a promising début. Alexander Maksik is a skilful writer, and this novel shows a commitment to serious literature.”

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“Slated for film, Hick is a gripping, gut-wrenching story depicting the harsh realities of the life of a young, defenseless runaway.

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“For readers captivated by a masturbatory rapture turned into a corporate model so successful that it becomes law, part of an “amendment relating to Vending Machines and Workplace Stress Re

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